js-lab.net - Janis Schroeder

Foto Foto Marburg photos, research-based

The photograph shows the new building of the Bildarchiv Foto Marburg, inaugurated in 2024. Since its founding in 1913, the archive has collected photographs of art and architecture that are at risk of being lost or have already been destroyed. The photograph exhibited here was taken using a camera whose technology corresponds to that of the cameras used at the time of the archive’s founding.

Dimensions of War installation, research-based

Microfiche readers were used in many archives well into the 21st century to make archival holdings accessible to visitors – as precursors to today’s online catalogues. Microscopic texts and images are greatly magnified for viewing. Here, the device is repurposed as an inspector of the past. In the viewer, remnants of rubble from the Second World War can be found, collected from rubble heaps in Berlin. This brings the engagement with German history into focus.

News from the Black Sea installation, research-based, video

“News from the Black Sea” explores the Black Sea region as both a habitat and a space of transit. The videos were filmed in Bulgaria and Georgia, as well as aboard a ferry crossing between the two countries. They focus on the presence of the non-human within landscapes and environments shaped by human activity.

The European Border photos, research-based, video

During two trips to the region and by researching archives in Bulgaria, Turkey and Germany, Janis Schroeder explored the Bulgarian-Turkish border landscape. For the exhibition he created a collage of found and self-created images, texts and sound material. It is a personal geography of the region, which also critically examines his own perspective and privileges.

Abläufe einer Landschaft installation, photos, research-based, video

What can I learn from a landscape? What are its processes? What are the processes of its human and non-human inhabitants? And what are my processes when I am in the landscape? What is going on when I walk through the landscape? How can the many insights a landscape holds be perceived and recorded?

Iluta and the death of the dragonfly research-based, video

“What remains when a person dies?” Latvian folklore enthusiast and translator Iluta Narvila and I have turned to the Dainas, a collection of Latvian folksongs, in search of an answer to this question. In the course of our video research, we have engaged in an experimental exploration of pagan wisdom about man and nature, life and death. Despite primarily being a research assistant at the start of the project, Iluta gradually evolves into its main protagonist.

Zwischenraumerkundung [Exploring the space in between] research-based, video

By hanging posters throughout the city, the filmmaker seeks to engage participants for a film about what it is like to feel at home- or not to feel at home. The film’s six protagonists have either migrated to Germany themselves or are children of people who have migrated to Germany. Their ways of life are therefore shaped by at least two worlds – the world they live in and the world they come from. Shot at locations throughout Berlin that were each chosen by the respective participants, this film attempts to figure out, through conversation, what it means to “feel at home” under these conditions. These exchanges are deliberately open-ended in order to leave room for the protagonists to focus and reflect on elements that are important to them, personally. Thus, the question of belonging – which tends to evade clear answers, particularly in realities shaped by migration – is dealt with and negotiated in many different ways.

Le métier de vivre [Life’s work] research-based, video

The video essay tells the story of two male midwives in Geneva, Switzerland. Due to conflicts in their home countries (Burundi and Iran), the two men fled to Switzerland, where they became the first men working as midwives there. Through the vita of these two people, the video essay seeks to challenge dichotomies of man-woman, black-white, north-south, and foreigner-native.

Parcours installation, research-based, video

The three chapters of this video installation play in three cities in the Ruhr region of Germany. There are three protagonists of different generations walking down the pedestrian streets of these cities on foot. A long camera movement shows them only from behind, their eyes fixed on what they have in front of them. They tell personal stories related to the emergence and appropriation of public space, as well as the region’s history of coal mining.

BIOS: Histoires de la Ruhr [BIOS: Stories from the Ruhr] edition, photos, research-based

This artist’s book was created during the research for the video installation Parcours. It brings together many personal and less personal stories that did not make their ways into the videos of the installation: about parts of the conversations with the protagonists of the videos; about a visit underground with three miners in one of the last mines of the Ruhr region still open today; about other artistic practices from the region including those of Richard Serra and James Benning, among others. The stories are juxtaposed with abstract drawings and photos of mushrooms, which stand for the diversity of the stories that were collected in the region, and for the deep connection of the Ruhr region with the soil.